- by Albert Berkshire
I’m going to tell it the way I remember it.
We were bobbing around on the lake. Two kayakers, surrounded by hundreds of others in kayaks, canoes, rowboats and stand-up paddleboards. There was an eerie calm on the water surrounded by a festival of events. It was early and everyone looked slightly unsure of what it was they were doing. I was no different.
Hundreds of people were about to swim across the lake. It was the longest open-water swim in Canada, and a friend who was participating asked me to be her safety paddler. I was the person who followed her from start to finish ensuring she had someone to help her should she be unable to continue. That day, I had the easy job. But that’s not the story. Not today.
Paddlers are, like any other subset of outdoor enthusiasts, part of little communities. We intersect and intermingle at random times, acknowledging each other and our sport – or pastime-become-passion – and almost always strike up a conversation as one paddles past the other. Much like any other subset of human culture, we tend to be drawn to each other by our equipment. In the same way two car lovers might swoon over each other’s classics or super cars, or fashionistas might delight in each other’s shoes, paddlers tend to check out each other’s boats. It is the common ground.
“I like your boat”, she said from about stroke away. “It’s exactly what my husband and I want to buy.”
I looked up to see a woman who, I guess, looks like every other woman in a paddling vest, sun hat, and kayak, looking at me.
“Is it a …”
“…Soltice”. I finished her sentence. “By Current Designs”.
“I love it.” She complimented.
The conversation continued with niceties for a few more moments until I told her that I was thinking about selling my kayaks (my wife doesn’t love kayaking as much as I do, so another sport was proposed), and that’s when things turned awkwardly…fortuitous.
In the process of telling this woman how to get in touch with me – pen and paper not being a ready instrument of communication whilst on the water – something sparked a memory for her and she looked at me saying, “I know you. You changed my life.”
Were it not for the hundreds of people surrounding us on the lake, I could tell you the silence fell on the conversation like a blanket thrown on a horse’s back. But the silence was all internal. I’d never heard anything like that in my life – short and relatively inexperienced as it may seem to some.
Jokingly I suggested that it’s not every day a guy gets to hear a woman confess her life has changed because of him. But she was quick, thankfully, to explain herself.
“You bought one of my paintings.”
I stared blankly. I’ve bought a few paintings. And this wasn’t really registering. I was half-listening for the start of the race and trying to find my swimmer in a sea of identical swim caps.
“The Poppy! I met you the night you bought it. We were introduced but you were rushing out the door.”
The Poppy is a beautiful painting that jumped out at me at an open house for a local business owned by acquaintances. It was on display and when one of the business owners was touring me through the new space, I immediately asked if it was for sale – knowing they were not a gallery. It was, and on the impulse, “I’ll take it” rolled off my tongue before I even knew the price. I have no regrets of the purchase, and it is hanging on the wall just behind me in the living room of my home. I love it.
In retrospect, the paddler-come-artist was giving an accurate description of events. I was headed out the door because I had to be somewhere else and I never made the time to speak to her. My disinterest in a fellow creative was not intentional, just circumstantial.
“I had decided I was going to quit as an artist.” She continued. “I wasn’t selling any paintings and the night you bought The Poppy, and the way it was explained that you just saw it and said, ‘I want it” changed everything.”
At this point, I’m squirming around in my cockpit. Perhaps not the most sensible action when bobbing around on the water.
“I went home, raved to my husband about “this guy” who just saw one of my paintings and had to have it. At some point, he became tired of hearing about you, went to bed and I went into my studio and started painting. I was inspired.”
A quick aside, if you will allow me: Over the years of my career – my day job as a writer and producer – I’ve worked with a lot of people who shared in brainstorming and creative session in the pursuit of creativity – the author Tommie Lee is perhaps king of the creative heap in that category. But this, this was a passive, almost surrogate, participation on my part. I’m also certain my jaw is, at this point, still dangling to display one of my adulthood prides of not having a single filling in my teeth. Oh…it was agape. Seriously. Never had a cavity. My dentist hates me. Onward.
She preceded to explain that she now had her art hanging in winery galleries, was painting even bigger pieces contrary to the suggestions and advice of galley owners, and was completely sold out. She was inspired. I was … silenced. And there are not many people or incidents that leave me speechless.
The race started. I began looking for my swimmer friend and we parted company, each paddling after different people. But that night, and for the next few days, her story – her completely sublime telling of her impressions of the night I bought the painting – resonated with me.
And now I was inspired. I sat down and finished my editor-suggested changes and corrections to my novel. The procrastination and the doubt was washed away by the chance meeting with the artist, Korenna Corby.
Korenna, humble to the core, later agreed to create the cover art for my novel, We Made A Pact. The painting, I feel, explains everything. And while she claims she’s not an illustrator, she certainly was willing to step out of her free-form comfort zone to paint the piece for me.
Maybe that’s what creatives – artists, writers, producers, actors and storytellers – do. We help each other…even when we don’t know we’re doing it.
At least, that’s how I remember things.
Albert Berkshire is a storyteller. His first novel of fiction, We Made A Pact, is fortunate to have been influenced by the right people – at the right time. The cover art was painted by artist Korenna Corby (www.corbyart.net). After far too many creative delays, empty bottles of Pinot Noir, and temporary mental inabilities to let go of it, We Made A Pact is set for release by Friesen Press in April of 2015. Albert will likely celebrate with a long paddle across the lake. For a much shorter, and less frequent rambling, follow Albert on Twitter @albertberkshire and on Facebook @ facebook.com/AlbertThomasBerkshire.
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